November 21, 2011
[Flash 9 is required to listen to audio.]

Empty Gazes, United by Fear

I did lots of adventurous rabbitholing this weekend involving Anais Nin, Henry Miller, Nazi Germany and Courtney Love (again). They led me to this interesting and sort of remarkable curiosity, a cover of Pearl Jam’s “rearviewmirror” by semi-obscure band The Frogs.

I discovered this song by a series of turns beginning with my failed attempt to watch the Love-starring Straight to Hell, which led to looking up recent stories on Courtney (including the video of Courtney’s latest crazy onstage meltdown), and finally a video clip from the mid 90s where she describes going into the studio with Billy Corgan and a band he loves called The Frogs. I remembered hearing about them because one of their members toured with Smashing Pumpkins as keyboardist after Jonathan Melvoin died and I’d heard bits and pieces about them before.

I then started reading about the Frogs, who despite remaining relatively obscure throughout their career, seemed to be something of a “band’s band,” forming relationships with the giant 90s trio of Nirvana, Smashing Pumpkins and Pearl Jam. With the latter, this relationship was most interestingly (and oddly) cemented by Eddie Vedder deciding to include the Frog’s cover of “rearviewmirror” as the b-side to the “Immortality” single.

I don’t really care much about Pearl Jam in 2011 (though I’ve oddly listened to them more this year than in years past), but this cover is pretty awesome and injects a bit of calm and subtlety into a melodramatic song that, like much of Eddie Vedder’s writing, demands bombast. It also makes another case for Pearl Jam’s music potentialy sounding more compelling with, sad to say, a vocalist who doesn’t sing quite so, ahem, distinctly (ie, with the cheesily injected bombast of a mediocre rock opera singer).

November 17, 2011
[Flash 9 is required to listen to audio.]

I WANT IT ALL, I JUST CAN’T FIGURE OUT…

A little song for OWS.

This Real Estate cover of the Strokes’ classic “Barely Legal” is breathtaking and after I downloaded and ignored it months ago, it’s lately taken ahold of my brain. The slow, shimmering, building brains bash is too much and elegant in a way that you would never describe.

[I had a funny facepalm moment writing this as I googled the term “barely legal” looking to find an image for this past…. yeah.]

DOWNLOAD: Real Estate, “Barely Legal” (Strokes cover)

I didn’t take no shortcuts
I spent the money that I saved up
Oh, Momma running out of luck
Like my sister, don’t give a fuck

I wanna steal your innocence
To me, my life, it don’t make sense
Those strange manners, I loved ‘em so
“Why won’t you wear your new trench coat?”

I should’ve worked much harder
I should’ve just not bothered
I never show up on weekdays
Something that you learned yesterday

“Drive you to work; you’ll be on time
These little problems they’re not yours and mine,”
“Come on and listen to what I say
I’ve got some secrets that’ll make you stay”

I just want to turn you down
I just want to turn you around
Oh, you ain’t never had nothin’ I wanted, but…
I want it all
I just can’t figure out…
Nothing

And all together it went well
We made pretend we were best friends
Then she said, “Oh, you’re a freak”
“They ordered me to make mistakes”
Together again, like the beginning
It all works somehow in the end
The things we did, the things you hide
For the record it’s between you and I

Oh, I didn’t take no shortcuts
I spent the money that I saved up
Oh, Momma running out of luck
Like my sister, don’t give a fuck

I wanna steal your innocence
To me my life, it just don’t make any sense
Those strange manners, I loved ‘em so
“Why won’t you wear your new trench coat?”

I just want to misbehave
I just want to be your slave
Oh, you ain’t never had nothing I wanted, but…
I want it all
I just can’t figure out…
Nothin’

And all together it went well
We made pretend we were best friends
Then she said, “Oh, I can wait”
They ordered me to make mistakes
Together again like the beginning
It all works somehow in the end
The things we did, the things you hide
And for the record, it’s between you and I

November 7, 2011
Ludwig and I

I have sort of specifically never given much of a shit about philosophy or philosophers before, but I do like a photo that can make me feel alive.

In poking through my iTunes for some late night time experimental electronic tunages, I discovered the Matmos Rose Has Teeth In The Mouth of a Beast record, all songs on which are “dedicated” to a certain famous-not-famous queer person. I recognized most of the names (including Valerie Solanas, William S Burroughs, Darby Crash), but not the dedicatee of the first track, ”Roses and Teeth for Ludwig Wittgenstein”.

From here I rabbit-holed on Wittgenstein—not a German king as I suspected but in fact a Jewish early 20th C philosopher—and, voila, discovered the striking image above. I’m not entirely sure what it is, but this photo blows me away in both Wittgenstein’s strikingly-attractive, ultra-modern proto-hipster look and in the way the photographer managed to capture him so perfectly and non-Germanly looking into the camera, as if he’s talking to you about his work (while knowing you aren’t getting it, though you should). Really fucking amazing, this photo.

As an aside, I’ve now listened to this whole Matmos record too and have been reminded of the challenging relationship I’ve had with these artists as a band that strikes a weird balance between “great, interesting, inspired!” and “pretentious, clinical, non-musical, boring”. The Ludwig track alas falls into the latter category but there are three great numbers listed below worth mentioning (in a feat remarkably appropriate for the man himself, the William Burroughs track manages to be both “interesting, inspired” and “pretentious, boring”):

The first is included for your aural review.

November 7, 2011
[Flash 9 is required to listen to audio.]

I had a dream last night that I desperately needed to listen to the Wipers, and so while doing the old listen/read tonight I stumbled across this unexpected and totally-ripping Hole cover of the classic and heroically awesome Wipers song “Over the Edge”. Seriously, it’s great. Erlandson’s guitar rips, Courtney yips, and I smiled. 

After downloading, I was also reminded that I had live Hole covers of the Nirvana songs “Pennyroyal Tea,” “You Know You’re Right” and “Old Age” hanging out on my laptop. The latter two came from an unreleased Hole recording of MTV Unplugged and were unreleased as Nirvana songs until the mid 00s. All of which are also actually decent, and the “You Know You’re Right” is possibly better than the mediocre Nirvana version (which can’t be said for the atrocious cover of “Hungry Like the Wolf” also on the Unplugged session). 

DOWNLOAD: “Over the Edge”, Hole, from Eight Songs for Greg Sage

PLUS!!!

MORE HOLE LIVE DOWNLOADS:

November 4, 2011
Rottweiler the Best is now Geek Skull! Show Nov 10 at Brooklyn Fireproof

A little self-promotional rah-rah…

My band Geek Skull is playing an awesome garage-punk show THIS THURSDAY Nov 10 at Brooklyn Fireproof in Bushwick/E Williamsburg! 

3 really rad Wburg punk bands trying to keep the faith alive with loud, sloppy noise garbage.

— GEEK SKULL (formerly Rottweiler the Best)
http://Geekskull.bandcamp.com/

— DIPERS (of Shit Hawk Records)
http://shithawkpunks.blogspot.com/p/dipers.html

BAD VISIONS
http://badvisions.bandcamp.com/

Thursday, November 10, 9pmAt Brooklyn Fireproof 119 Ingraham Brooklyn, NY, 11237 off the Morgan L stop

and…

Rottweiler the Best video of “All Night Radio / Babe”:

Rottweiler the Best “All Night Radio / Babe” (2D) from keith on Vimeo.

November 3, 2011
[Flash 9 is required to listen to audio.]

To The Edge of the Earth and Back Again

I was reading on the internet somewhere tonight that Rachel’s—a desperately personal favorite of mine—are inspired by and play music somewhat derivative of Michael Nyman, and so I downloaded The Piano (which is apparently not the soundtrack but Nyman redoing many of the songs?) from Emusic… and definitely hear it. 

I can’t recall ever listening to any Nyman before (even though I know him and remember my parents having this soundtrack in their house). I do think pianist Rachel Grimes of Rachel’s plays in a style that harkens to Nyman but I do think the band’s music overall is distinct and unique. But a track like “To the edge of the earth”… well, it really sounds remarkably like the Rachel’s.

This discovery of similarity feels like both a marvelous boon and a slightly depressing realization. While I love the Rachel’s and have always craved more of their tunes (six albums and none since 2003), I also am realizing I enjoyed thinking that there was something special about them that I couldn’t get from any other music… and so learning there is “more” out there is therefore bot great and a bummer, if you know what I mean.

That said, I think that in particular the last works of Rachel’s from ‘00-04—the Full On Night EP, Systems/Layers album and Technology is Killing Music suite—represent the point at which the band truly began to leave the “minimalist-inspired late 20thC ‘post-classical’ chamberists” bit and enter a realm entirely of their own. These recordings took the evocative mood musics of their 90s works and invigorated them with experimental recording techniques, samples and electronic accoutrements, in a way that no one else has really done before or since.

For this reason, I’ve always thought it odd that many people** seem to widely prefer Music for Egon Schiele of all Rachel’s records, which is curious because unlike all of the rest of their records, which are wide, full-band experiments, Egon Schiele is a straight piano-violin-cello trio record lacking in just about everything that makes them exciting to me except those preciously captured “mood moments”. Which are still…fine, but sans textural flavor definitely allow the “sounds like Michael Nyman” claims to stand up.

[** — Keep in mind that “many people” in the context of Rachel’s fans is pretty small]

LISTEN: Michael Nyman, “To the Edge of the Earth”, from The Piano

October 31, 2011
[Flash 9 is required to listen to audio.]

LYNCH AS A CLOWN

This is very awesome and worth sharing.

Also, in this interview, WIRE writer Clive Bell compares David Lynch to Randy Newman and declares “you’re half-way to being an actor”. 
David’s response is ”Well, it’s like a barbeque with lots of beer and lots and lots of girls”.

In general, I love the idea of David Lynch talking to British people as it reminds me that he’s among the most American people in the world. Also, Bell refers to the film “Mulholland Boulevard.”

hotdoorknobs:

David Lynch speaks on his guitar playing — “a deep thrill went into me, down into my soul, Clive.”

Excerpted from The Wire’s full interview with Lynch about his upcoming record, Crazy Clown Time.

October 31, 2011
The Flaming Lips have just released a 24 hr long “song”. In other news, we have reached the point in life where everything is meaningless.

You can “listen” to it here. I intend to leave it on tonight while I fall asleep and hope that it haunts my dreams.

October 26, 2011
Goat Flagon of the Conqueror and Other Musings

Benjamin: did you hear the new Guided by Voices track out? it sounds pretty great. w/ Tobin Sprout and “1996 lineup”

Jayson: some Under the Bushes, Under the Stars shit

Benjamin: totally there’s a record coming out in jan which of course has 21 songs god forbid they only record 12

Jayson: hahahaha I’m guessing it will have anywhere between five and nine words in the title and one of them will be four syllables… like The Archway Falcon Is Waiting Beneath the Fountain Dirigible

Benjamin: Pennywise For The Infinitely Manufactured Concern

Jayson: no. is that the real one or your made up entry? either way it’s magnificent. Benjamin: that was mine

Jayson: when I first read it, I said, “Wait, is Pennywise making a new record?”

Jayson: The Hardscrabble Miners Polyamorous Labyrinth Is Here. I can hear Pollard singing all of these to the tune of Echos Myron

Benjamin:  Olfactory Happiness of the Pondered Destroyer

Jayson: YESSSS that one is amazing. A Contented Goat Licks Ironwad Billingsley (And It’s Alright)

Benjamin: hahahahaahahah Amiable Sunspots Take The Downtrodden Maestro Jayson: haahaa here are some REAL ONES, for reference:
“Deathtrot and Warlock Riding A Rooster”
“Some Drilling Implied”
“Squirmish Frontal Room”

Benjamin: Half Smiles of the Decomposed

Jayson: (all real!) yes

Benjamin: King Shit and the Golden Boys

Jayson: jesus RELAXATION OF THE ASSHOLE hahahahahahaha

Benjamin: The Manufactured Conjectures Of Gloat-eating Deathboy (not real)

Jayson: but amazing

October 21, 2011
More Talk, Less Head

Benjamin: have you ever listened to Talk Talk?

Jayson: not once

Benjamin: i am listening to Laughing Stock right now for the first time ever. it makes me think of laurie anderson, minus laurie anderson’s singing

Jayson: haha, you hate Laurie Anderson too, so I knew that was a bad sign

Benjamin: this record feels futuristically boring

Benjamin: like, “portending a future where we happily accept music to aggressively blend into the background to be loud enough to hear but too empty to digest”. like, it’s not ambient music—there are distinct sounds, and tones here — a palette of sonic experiences ok but this music feels extra meaningless in the way that its empty but “flavored” sounds are meant to connote some kind of actual meaning

Jayson: I’m not listening, but that does kinda sound like Laurie Anderson, at least her actual musical backing

Benjamin: in a more favorable comparison, it also vaguely connotes robert wyatt solo works but whereas robert wyatt always infused his music, however slow or winding or slight it was, with a human personality, these tunes sound like the soulless of constructions of brilliant, empty humans after having become enslaved by the robots we created

Benjamin: point: i guess i don’t really like talk talk.

Liked posts on Tumblr: More liked posts »